unless youve been hiding under a rock in outer mongolia for the last year the name deadmau5 will be familiar. playing gigs in front of thousands of people week in, week out and now signed to virgin records, deadmau5 has only just begun. he returns to mau5trap after the uk top 20 hit æi remember with ælack of a better name, a far more underground and twisted track for those late night tales. slick production, tough beats, rolling bassline and euphoric breakdown. what more could you want? oh yeah, this is a vinyl exclusive!unless youve been hiding under a rock in outer mongolia for the last year the name deadmau5 will be familiar. playing gigs in front of thousands of people week in, week out and now signed to virgin records, deadmau5 has only just begun. he returns to mau5trap after the uk top 20 hit æi remember with ælack of a better name, a far more underground and twisted track for those late night tales. slick production, tough beats, rolling bassline and euphoric breakdown. what more could you want? oh yeah, this is a vinyl exclusive!

rick wade - first darkness the third release on our new born vinyl only sublabel that twists us arround these days like nothing else in this world. after the tremendous sucess of of ricks debut on laid 01 intelligence which had been a great kick off for our new imprint we couldt help but wonder: where we all in fact just dating the same person over and over again? but anyways here is just another wonderful record of one of our all time favourite producers mr. rick wade. as you can sense from the title rick wade once more employs some of his darker signature synths lines in the main track that provide a glorious sparkle of sublime athmosphere

some notorious electronic music talents have started their careers as percussionists. and so did yaya, but his tale is different to all the rest. his new release for desolat takes a unique, upbeat approach to 4/4 beats: combining heartfelt benin influences - samples from dialogue and traditional ballads - with the stretched-out tension and release of balearic and the bubbling pops and stutters of tech house, plus the occasional kickback to a commodore64 high score melody. raised in turin, italy, rhythm was his lifeblood for yassin legali, also known as yaya, from an early age. his father was the lead vocalist and percussionist for mbamina, a band consisting of musicians from benin, zaire, italy and cameroon. mbamina released eight albums, collaborated with artists like manu dibango and salif keita, were sponsored by paco rabanne and played all over africa, including a show for the presidents of senegal and france. their final show was with james brown in paris in 1985 - the year yaya was born. well-versed in his fathers legacy, yaya grew up playing drums and djembe, and at the age of 15, began performing as a percussionist in turin clubs. just one year later, he was already djing, playing funk, soul, afrobeat, house and garage. manu dibango and fela kuti found a spot in his crate next to records by masters at work and dimitri from paris: contrasts of rhythm and structure that pervade his music to this very day.

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

not just hard- but frenchcore! hole-drilling 3 tracker made by the sickest squad around!

igor from antwerp went a little crazy with one of his favorite pieces of music... but what igor did is not just another cover or re-intrepetation... he did make a highly expolsive track based on stravinsky s classic sacre du printemps. ok we agree.. that sounds kind of corny and pretentious... but somehow this bloke managed to get it all right. sounds like a forgotten techno classic from suburban knight who was recording with laurent garnier in his good old days and had henrick schwarz as studio engineer... a classic take on techno with a break that will revive more than one igor. this is a euphoric hands in the air, goose bumps al over record that works at the right moment.

next up from the very eclectic rong music is a remix ep from west indian girl.west indian girl is a rock band from los angeles. the bands name comes from a type of lsd that was popular in the early 60s. the initials are also a reference to james and tens previous band, wig scotty coats and wes the mes have fifty years of djing and remixing experience between them but their first release togetheruas wes coatsuis just coming out this month as the first california release on the newly merged dfa and rong music. patterns form hail from texas formed by sammy ragland & chris ornelas in 2000 making a cross between shoegaze trip hop & electronic moving to la in 2004 and forming a full band and have been playing live across the us ever since.

omg! thats right folks, antonio ocasio, the man behind tribal winds, has made a record entitled >joaquin<, in honor of guess who? no, not joaquin phoenix. sounds just like a joe claussell record...

ecordings return with another killer just in time for summer. this ep has everything from smooth, downtempo grooves, to jackin, to deep, vocal house. theres a mix for everyone!blockhead has enlisted hanna (freerange) to bring some serious heat for this new release. with remixes from james curd (greenskeepers)giano, manuel sahagun you cant go wrong. theres a mix for every style of house on this ep. with tons of play from mark farina, the lawnchair generals, dj heather etc... you know its got the goods

mike humphries with another fresh release for the techno fans. the latest gem in an ever growing series features the growing stars concrete dj z and k.e.n.y.u. big beats and great sounds make sure this will get loads of plays and will find its way to many dj s recordbags. another great diverse record compiled for just one goal: dance till you drop!!

its been 5 yrs since the last record was released on tetrode music. (the deep theory ep). the wait is over and the duo of damon lamar and specter have returned. this ep is picking up right where they have left off. deeply rooted in the underwater sound that have made the releases on tetrode must haves by heads around the world. side a is produced by specter and he drops his signature beatdown sound. >bazerko< is a stripped down minimal heater that builds up with 707 drums, sub bass and a hammond organ riff that really bring this track together. >nighthawk< is a beautiful laid out sunrise track. smooth drums, warm pads, and bubbly appregiated synths. inspiration drawn from larry heard and the deep techno sound of the 90Æs. side b is produced by damon lamar. >large crowd< is this beating track pulled and resurrected from the vault. heavy percussion loop, dirty bass, deep chords and a haunting vocal that must be heard to understand the meaning. >put it on ice< is a laid back downtempo track that shows the versatility of damon lamar. lush strings, dubby bass and melodic keys make it a track that just grooves and soothes the ear. tetrode music has returned with this solid offering and one thing for sure is the sound hasnÆt changed ... just more refined.

the soulstars camp is back with 4 deep house tracks. just feel it then!

are you ready for some hype? backed up with quality? ok, here we go: lissy trullie, already acclaimed as the next big thing for 2010! but it s still 2009 and we are just happy about her actual ep >self taught learner<. enjoy!

excellent split ep , just listen

miniminds have been making quite a noise over the last year with some sublime releases on fling recordings and picking up support from the likes of adam beyer, paco osuna, smith & selway, stephan bodzin and pig & dan, to name just a few! they continue to do great things with this excellent 2 tracker on hedgehog, a label previously releasing tracks from marco bailey and pig & dan. >overdose< is a dark driving monster, with huge funked out bassline, and builds with eerie synth lines. a sure fire peaktime smasher!

supported by: raresh, rhadoo, pedro, reboot, robert dietz, markus fix, meat, dorian paic, einzelkind, chris wood mr. dan andrei is back on be_chosen. after a great first release called >just music< now he delivers a great two tracker ep called: >saint omar<. so, please enjoy those great tracks

second installment by berlin based mri who successfully cultivated since 2002 some serious dance terrains. this release carries two outstanding and rare remixes as well as one original track. by taking techno deep into the mine shafts of dub, chain reactions / basic channel artist fluxion created an eerie, full-circle remix of the latter. you can hear that a man is at work who knows his gear well and is good in what he is doing. the production is brilliant, the selection of sounds superb, set-ups are constructed with caution, superimpositions are finely layered, propagations and ripenings are get going in a well-considered manner. dreadnaught bassline, steady hi-hats and lo-fi clips – a must for basic channel fans ! on the flip, young talented producer u.e.s. delivers the meanest blend of modern techno style and reduced shaped subs that just creams it on every system. and as well as both guys together does mri with original track rough. the „el castillo“ ep separates the styles over two sides and with „rough“ functioning as a wicked minimal techno track with shifted groove hinging on a grinding bassline - drives the track into abyssal techno territory. fans of basic channel and modern electronic music enthusiasts will be all over this beauty.

one of rough trades island 50th anniversary selection - 50 crucial titles, specially selected by us to highlight the unique contribution this seminal label has made to british music since 1959. the results of nick drakes solo sessions were as harrowing and stark as anything by robert johnson or charley patton. enclosed in an inner world of psychological distress, drake recorded pink moons dispatches from a private hell that was simultaneously terrifying and beautiful. both the lyrics and the melodic motifs are pared to the bone here, their simplicity making them all the more immediately striking. the most nakedly emotional and disturbing moment is probably parasite, a visceral but mysterious account of a disconsolate soul roaming through the world in search of succor, with drake taking the starring role, ultimately offering, take a look, you may see me in the dirt. this was the end of the road for nick drake in more ways than one, but just the beginning for the scores of songwriters subsequently inspired by his bleak but beautiful visions.

hailing from the musical mecca of austin, texas, and following up their brilliant debut album from last year, which featured in our year end top 10, with this already hugely lauded sophomore effort. recorded by the band in their infamous studio/trailer, wailing fuzz guitars, soulful, yearning, emotive vocals, and one of the tightest rhythm sections going provide the currency in which this unique power trio explore their brilliant, unexpected and wide ranging musical ideas. an entirely original, sprawling combination of sixties rock touchstones, free form jazz jamming, and a defiantly post punk spirit, and all performed with a precision, and vibrant intensity not often found on record.

marl chingus is a collaboration of laurent garnier and llorca, made up just for f-coms 200th release in 2004.

neo detroit techno from deep a & biri (kammer musik / tel aviv) - inclusive an edit by youandme (platzhirsch / dekadent schallplatten).
de:bug: >just a classic… best rotary ever!<
support by sven väth, laurent garnier, richie hawtin, 2000andone, mathias kaden, nick curly and many other

toms 1983 masterpiece. already wayward, here waits rethinks his sound entirely incorporating a rich and unique new sound palette inc harry partch instruments, lots of percussion, bag pipes, marimbas, harmonium etc topped off with waits visionary lyrical storytelling approach and incredible vocals. wonderful!

killer new moby single!!! on pale horses my friend amelia is singing, shes holding a $20 microphone, no headphones, just singing it with me holding the lyrics in front of her pointing to the words. she didnt know the song before she sang it, so her performance has a vulnerable and almost na ve quality. after, i put her vocals on an old 1/8ö tape machine and re-recorded them back into the song. i wanted them to sound as if they were recorded 50 years ago... including remixes from gui boratto, apparat, and empyrean...

bambino is back again with another argentinean export manuel sahagun! after releases under his belt on labels such as drop music, so sound, wiggle, flavor, kolour, guesthouse, blockhead and picking up support from the likes of terry francis, mark farina, miguel migs, lawnchair generals, dj heather, inland knights, da sunlounge etc. he brings the heat to bambino in form of a 4 tracker ep, that just oozes quality all the way through every single groove on the vinyl. all four tracks range from funky, tech, deep house that will please most dance floors out there!

subway keeps the international connection strong by signing yet another one of those finnish talents. 501 is the name and fiya is his game.. already signed to chase & status their own dubstep imprint called dubtrade he allready has one foot in the door. and now with his subway debut things look bright for young jussi. the first tune thats up is dangerous, and this does exactly what it does on the tin, pure danger from beginning to end. this one isnt for the deep heads just pure dancefloor destruction all the way! danger! danger! next up its special request, another dancefloor stormer thats just to hot to handle. ram this one on your decks and see those kids jump around like a bunch of maniacs! play support is coming from all over on this one!

the third album of keith richards best mates! - 180gram vinyl in heavy slipcase with printed full colour innersleeves and stickered with special guests: keith richards, ronnie wood, joe brown. all songs produced by pete brown and brian james (from the damned). a masterpiece...what a blast - mojo

please welcome the 2nd youngster in our rooster. with just 20 years, he is already a professional in the swiss scene: stefano tropeano played at the internationally well reputated oxa in zurich, at loft luceme, acqua zurich, club q and many more. he is definately one to watch in the future. for his first production he received maximum support of namito, well known for his releases on kling klong or great stuff, rounding up this powerful package that should make it very difficult to decide which track to play, just because they all work out equally great.

played by brothers vibe , gerd janson (running back)... introducing two brand new lindstrom tracks: the magnificent and disturbing the perfect symmetry the leftover ep came about when prins thomas, todd terje and smalltown supersound were let into the lindstrom vaults so to speak. lindstrom makes a lot of music obviously (he has one album out this year already with prins thomas and another one with christabelle coming in october), and these were two tracks just laying around that he hadnt thought about releasing. when both prins thomas, todd terje and his label insisted that the tracks had to be released, he decided it was maybe a good idea to make another 12inch since it had actually been a while since the last one. and we are all happy by that. these are some of his finest moments. his signature melodies and sound are all here ready set dancefloors on fire. hope you like them as much as we do. enjoy!

in these >post-heater< days it is not so crazy to hear of a kazoo being used in a track, but when style of eye first released >the big kazoo< on dirtybird it wasnt just a sample loop, it was an incredibly innovative usage of the sound - mangled in all the right ways. in 2009 style of eye returns with 3 more monster club tracks. these are the kind of jams that simply work at the club. they arent hard to mix and they arent hard to understand. they are big dirtybird tracks that simply never fail the dancefloor

after mondkopf and 33hz, here is the fool house third ep : deloreans ayrton senna, somewhere between phoenix, the though alliance and air france, coming with a remix by john talabot, the latest revelation on the excellent permanent vacation label. delorean is an unheard scenario in popular music. 4 barcelonans, free as air, high on o2. gradually moving away from a more hardcore scene they are now ready to embrace a kind of techno that youd play with guitars. they did just that with their 3rd ep into the plateau which was well received in a cross-over underground scene- well before the electro-something ideas and the 80s references became the clichÚs of an overcoded era. in 2008, delorean got stuck into in the remix business working on tracks for mystery jets, big pink and glasser. for now delorean are focused on developing a new type of indie pop and judging by the early support from pitchfork, fader or xl8r this band are ones to watch. its with the greatest pride that fool house welcomes them, for a length of 4 songs, just like a holiday

4th edition of common good this time with a various artist ep by dutch underground techno collective from the south. a1 tachini: just a drum is a part straight techno part off beat techno that creates a freaky atmosphere. a2 sceptical c: just rockin is a straight forward no nonsense techno killer, good for any real techno dance floor. b1 zix: multivitamins brings back the old techno feel, dark and tripping. a must have for real techno lovers.

the 9th release on domestic violence comes from sveteq and septromatiq. these two are creating a big stir in the scene with some extremely fresh releases on labels like mental torments and reconstruction, just to name a frew. on domestic violence they present their killer style in the form of calm storm ep, four absolute killer tracks full of energy and heavy bass!

alcohol, drugs, overdrive, noise, neon lights, party people, revolution, rave is king ! . this could be mr fukkk offf moto, this crazy german guy, signed on coco machete for his album, gave us two banging electro-house party anthems bloodfuck & i give you bass. bastian heerhorst, better known as fukkk offf, from hamburg germany, had nearly every blog on his shit last year, and you know why ? just because hes not kidding, this is just dancefloor stuff, nothing else, but surely it works

the seventh release of restoration records is the celebration of the love between men and machines. sykon is true joy and happiness, it s the speech of the synthesizers, it s the passion for hardware samplers and sequencers, it s the addiction to the juicy sound of tape compression. as usual, no computer has been involved in the production of this record.
ôyes, the 4th dimensionö, by eduardo de la calle is a masterpiece of hermetic theories applied to advanced minimal techno. it s mental and involving, deep and solid. hi-tech reduced synthesized sound build up a never ending progression upon the strictness of its low tom layer. mystical energy tthat will kidnap everybody on the dancefloor.
in marieu s ôrootsö, you can hear all the trademarks of the boss of the label. dark, hypnotic and pumping, it developes a bouncing double bass line that breaks the atmosphere with an aggressive 808 kick. acid and funky at the same time, it s simply a time bomb.
on side b, lucretio s ôwhere youö is a superb synthesis of his detroit techno and uk-garage influences. relentless effective old-school drums run with a female vocal sample. soulful chords sing along balistic claps. an evocative string line introduces a touch of blues. a sweet sunset on the groove, a smooth weapon.
last but not least, a touch of class by the analogue cops: ôslowlyö. it s a down beat fusion of jazz and deep house. a monumental bass drum bursts a celestial big band interlude. a sexy 303 acid line, an elegant high-hat, a snappy snare. just few things but on the right place. a delight for your mind and for your body.
restoration records are played by djs such as james pennington aka the suburban knight, dj buzz goree, ame, eddie flashin fowkles, alan oldham, rick wade, marcel dettmann, prosumer, steffi, tama sumo, tyree cooper, norman nodge, santiago salazar, pacou, mad max, dj jus ed.

spencer product is back after his debut mix cd product. this time he delivers a party anthem we bite with razor sharp remixes from londons tronik youth and nyc darlings designer drugs. we bite, named after one of spencers classic lower east side sleezefests is an ode to honest to goodness late night debauchery. its all about downtown basements, pbr, dirty sex, cocaine and vomit...what more do you need. spencers original is an overdriven distorted electro rock affair while designer drugs clean it up a bit for the late night electro beatdowns. tronik youth keep things very 80s new wave disco with heavy reverbs on the drums, cheap synths and vocoders all the way...if you cant get a trip in to new york this year just close your eyes and this record will take you there.

this record is a bomb! it had to be said... telegraph is proud to present tom ellis first vinyl album! sex, drugs and sausage rolls is an 8 track project that showcases the huge talent of this special uk producer. there are so many hits on this record that we can definitely call it a bomb and djs will go crazy for this one! all tracks are dancefloor killers, always funky and groovy they are full of creativity evolving into different atmospheres. a uk garage flavour on some tracks brings a fresh vibe into his productions, toms music definitely is very human and always musical. the sexy vocal tracks like simple truth or boogie turns are just incredible and sound like nothing else. sex, drugs and sausage rolls will become a classic record over time. toms highly acclaimed and ever growing discography spreads far and wide through labels such as hartchef, minibar, trimsound (his own imprint), logistic, archipel, floppy funk, morris audio and telegraph. he regularly performs live around europe and can be witnessed displaying his bass guitar skills along side label partner leif with their trimsound live project.

played and supported by: italoboyz, pete tong, martinez, sety, misstress barbara, coyu... third release for the label which has been revolutionizing the italian electronic and underground dance scene: after the winter floorfiller no rulez ep signed by skyboy and edo pietrogrande (just to name a few dubfire, loco dice, 2000 and one, sis, raresh...have literally gone mad for without by skyboy), 7 oz records comes out with a killer summer dancefloor hit: donde estas y donde vas, produced by edo pietrogrande, friend and veteran of the label. big remix, expertly produced by david keno (keno records, kindisch)!!!

attention - triple album for the price of a double! mothership tranmsission 019 – >voodeux - the paranormal<
two years ago, on the east coast of america, a couple of highly technical production wizards joined forces and created their own genre of strange and creepy techno under the moniker, voodeux. one from boston and the other from philadelphia, tanner ross and james watts first released >the curse< ep on mothership in 2008 with great success. with dj support rolling in from everywhere claude vonstroke soon commissioned them to record a full-length album of this new moody sound. voodeuxs debut album, >the paranormal< is a concentrated vision of myth and mysterious beats, exploring the eerie after-life side of techno like no other artists have done to date. it is a vision of ghosts and goblins hiding in the closet ready to scare the daylights out of you. using dark funk, ghoulish atmospheres and futuristic production, voodeux is staking their claim as the next generation of american techno and >the paranormal< is a techno masterwork for the modern underworld.

h.o.s.h. the specialist for extraordinary releases on diynamic is back with two wonderful tracks, which groove like hell and bristle with ideas. just like we know this hamburg boy and just like he develops his level always a step more. and we are very happy that >audiofly< are on board, too! these two sympathic boys don t just rock anywhere they appear, but their productions are also an essential part of any good party. h.o.s.h. and audiofly, i think i turn crazy! a1: h.o.s.h. – better and sweet b1: h.o.s.h. – better and sweet (audiofly remix) b2: h.o.s.h. feat. markus homm – funk king

yeah, our favourite b boy house band soultourist is back with old strength! the fo eva ep is a timeless beauty with different shades. the title track is a booty bouncing dubhouse tune, which is reducing to the max to let the bassline and the beatz shine. wild catz is definitely bringing back memories to their 2007 hit turn loose and with televised they are expressing their peaktime moments. gruber & nuernberg from germany delivered a serious remix of fo eva and you can be sure that this one will be big for fans of the new german house movement. all in all its just a great work and they can certainly be proud of their originality...

the junkies style has continued to evolve over the years under the influence of various genres of electronic music, ranging from deep soulful house to techno and everything in between. the junkies production and remix work have been fundamental in pushing them forward both as artists and dj s. the duo just never seems to stop releasing and remixing tracks, which have gained much support from many of the world s top jocks the junkies are enjoying a string of stellar releases and chart topers , including the hugely successful d-mode ep a collaboration with rawthentic music head honcho, carlo lio. today one thing is very clear.plenty more is still yet to come from the junkies

massive support by extrawelt, ortin cam, tony rohr, the advent, xpansul, xavier morel and many more!
frederik hatsav and jamie kidd joined forces to create the new metalogic sound - edgy, dynamic and highly rhythmic electronic music. their first output on nachtstrom schallplatten has been a true highlight full of fresh and deep techno-tracks, containing 4 bass-driven heavy monster-tunes that rocked the dancefloors around the world.now it s time to present the remix-vinyl of this masterpiece!!!
we are very proud that we could sign 3 of the most famous and established techno-artists worldwide:the first remix is coming from brian sanhaji. brian is releasing since years on chris liebing s label clr, enable and sonata (just to name a few) and is also mastering-engineer of labels such as sven vaeth s legendary cocoon, clr, spinclub, electric deluxe or intergroove. he just released his latest album on clr and since then is touring the world and playing on all major festivals and clubs.the second remix is produced by dietrich schoenemann, who is the man behind new york s legendary hidden agenda and addon records. he released countless ep s together with his long-time friend tony rohr and is known worldwide for his brilliant dj-sets and live-pa s.london based producer perc is completing this outstanding remix-package. he is the owner of the english label perctrax and released various ep s on the most famous and respected labels on the planet, such as adam beyer s drumcode, chris liebing s clr, ovum records or kompakt.

sunflower records delivers >la danza de ibiza< - a combination that just screams for fun in the sun!

2nd album by raw british indie-rockers eight legs, straight out of stratford-upon-avon!

over the last half year shaun baker has been busy producing and fine-tuning his new single give!. in the meantime together with dance nation shaun produced the hit single sunshine 2009. to make the premium package complete just like with v.i.p. & hey hi hello, uptunes have pulled in again the remixing talents of the internationally acclaimed michael mind. raindropz! has also been employed yet again to produce his version of give!. we are sure his version will not only find acceptance from the hand ups quarter but from a much wider audience making this shaun baker release probably the best shaun baker track to date.

part 3 of the nice cd compilation! >aus music… all night long< as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn… all night long

soul camps smashing dubbed out, boogified original ( released on scr007 ) returns in 4 mixes by a finger-licking allstar cast. sense records artist soul parlor donats a laid-back, smoked out off-beat funkster with blinding rhodes, edgy, sharp beats and futuristic sounds galore. french production team affol’man keep the funk level high but this time embeded in a raw, slow-burning 4/4 groove that shows some oldschool hip-hop attitude. martin landsky and michael vater ( aka phonique ) represent the intim label in fine style: stripped down with loads of room for the original organ pads, subtle percussion patterns in the background and a dangerous bassline with a dub leaning. hamburg house messengers snider ( silver recordings ) and titus keep it on the dub side with a growling, slow-burning groover that twist your heads with some strange, haunting string stabs and hits you low at the same time with it’s gnarling analogue bassline. top-notch package bringing the goods for just everyone!

autonation s sit on the bass was released on esteemed label r&s , 18 years ago in 1991.. (shit! was it really 18 years ago??)
autonation kindly agreed to a re-release two years ago after a meeting in a pub in ladbroke grove. sit on the bass has been a mainstay of label boss jerome hill s sets since it s release all those years ago and still sounds relevent and rocks crowds today.
autonation is none other than seasoned producer dave campbell who over the years has released a vast body of techno, drum n bass, and ambient music under the aliases kibu, hiryze, xtro, greenback and of course autonation on labels such as rising high, certificate 18, r&s, cue and guy called gerald s juicebox.
its an absolute techno classic, but not one of the obvious ones that get rolled out for every old skool back to the 90 s set.. so get on board and be in the know before everyone gets on it!!
jerome hill steps up for the remix on the b-side utilising some fierce rumbling sub bass and keeping the energy levels on 11 for the dancefloor..
this release has been cut super loud and is the first 2-tracker on don t for just this reason.

lifeworld presents the intergalactic techfunk from the minds of glasgows solab. known for their killer releases on 7th sign and various other labels, you know you re in for something good! distant galaxy is a deep and mesmerizing track. killer beats accompanied by a great grooving bassline provide for a tight back bone. topped by erie synth strings and spaced out effects, this track is a real burner. on the flip we have the killer track new life. this track is simply gorgeous. just check the exquisite multi layered sounds and killer percussion. sleazy and slow paced grooves. this is sssoooo good! last but not least solab take things into much housier territory. wide awake is a static paced dancefloor nugget with a deep bassline and atmospheric soundscapes. the filtered synth sound running through out the whole track gives this track a true house feeling. this just cant go wrong!